Your experience will depend on your specialism and your chosen audition location.
Most candidates audition at the RCM in London. We also offer auditions at a number of venues overseas. The audition process differs between venues. If you are unable to attend in person, you have the option to audition by video. You are advised to read the information below carefully.
Every student undertakes principal study in their main specialism, which lies at the heart of their RCM experience. You can audition for the following principal studies. Please note that research degrees have their own set of requirements.
Expand the options below to find out the audition requirements for each principal study.
For both video and live auditions, applicants should present a programme of three works of their own choice, played from memory. Duration should be a minimum of 15 minutes and the programme should contain a variety of style, period and character.
In live auditions the panels reserve the right to select only two of the pieces to hear.
Live auditionees should bring proof of recent public performances (for example, in concerts or competitions) along to the audition. Video auditionees should upload this to the submission portal with their audition video.
For both video and live auditions, applicants should prepare a varied programme of 50 minutes, played from memory, which should include an advanced étude.
In live auditions the panels will select up to 20 minutes of the programme to hear. Video auditions should contain the full 50 minute programme.
Live auditionees should bring a list of the repertoire studied in depth in recent years as well as proof of recent public performances along to the audition. Video auditionees should upload this to the submission portal with their audition video.
We are looking for a very high level of pianistic skill and ability to collaborate with both singers and instrumentalists. It is essential to be a fluent sight-reader.
All applicants, whether auditioning by video or in person, should prepare:
Applicants auditioning overseas must bring their own soloists. For applicants auditioning for the MPerf or MMus in London, the RCM will have soloists available to perform with if required, though applicants can choose to bring their own if preferred. If you would like to perform with the RCM's soloists, you must prepare the following programme:
All applicants should bring a list of repertoire studied in depth in recent years to their audition and show proof of recent public performances. Video auditionees should upload this to the submission portal with their audition video.
Live auditions will include a sight reading test. For video audition candidates shortlisted applicants will be invited to attend a video interview, which may include a short sight-reading exercise.
We are looking for a very high level of pianistic and collaborative skill. It is essential to be a fluent sight-reader.
For both video and live auditions, applicants should present a 20 minute programme which highlights their particular area of interest in collaborative music making. This can be a focus on instrumental duo and chamber repertoire, art song, opera or any mixture of the above. In addition to the performance, all applicants should provide a list of collaborative repertoire studied in depth in recent years and show proof of at least five public performances as a collaborative pianist. Video auditionees should upload this to the submission portal with their audition video.
Those auditioning for Artist Diploma in Performance must bring their own soloists, whether auditioning in London or overseas.
All applicants should provide a list of repertoire studied in depth in recent years and show proof of recent public performances. Video auditionees should upload this to the submission portal with their audition video.
Live auditions may include a sight reading test. For video audition candidates shortlisted applicants will be invited to attend a video interview, which may include a short sight-reading exercise.
Please note, we are not able to provide RCM soloists at our overseas audition venues. If you are auditioning for collaborative piano overseas please ensure you arrange your own soloist.
Details of the organ the RCM uses for auditions can be found on the National Pipe Organ Register website. Undergraduate applicants normally audition on the organ situated in the West Parry Room and Postgraduate applicants normally audition on the organ situated in the Amaryllis Fleming Concert Hall. Undergraduate applicants will have 45 minutes to warm up in the West Parry Room and Postgraduate applicants will have 60 minutes to warm up in the Concert Hall.
For both video and live auditions, applicants should prepare one of the following pieces:
Plus:
For both video and live auditions, applicants should prepare a varied programme of 15 minutes, to include a fast movement from JS Bach Trio Sonata no 2, 5 or 6 BWV 526, 529, 530.
Related study allows instrumentalists to receive tuition on an instrument closely associated with their principal study. Students can take one of our principal options as their related study, as long as a clear relationship exists. For example, piano and organ.
Related studies are approved by the relevant Head of Faculty once a student has started their course. No audition is required and you do not need to let us know about your interest in related study before you arrive at the RCM.
It is possible to undertake studies in the following specialisms through our Historical Performance Faculty:
Most undergraduates on the BMus course and postgraduates studying for MPerf, MComp, MMus(Perf) or MMus(Comp) have the option of undertaking a second study specialism. Second study allows students to receive tuition in a second specialism, taught and assessed at a lower intensity than their principal study, in an area that does not qualify for related study.
Second study specialisms are subject to successful audition and the agreement of the relevant Head of Faculty. Auditions take place during the first few weeks of the course, and students will have the opportunity to register for these auditions shortly before the start of the academic year. There is no need to inform the RCM at the point of application.
In most cases you only need to bring music for yourself and, if you are applying for collaborative piano, music for your soloist.
You cannot bring a page-turner, your teacher or a translator into your audition. The only people in your audition room will be you, your soloist (if applicable) and the audition panel. As our courses are taught in English we expect you to be able to communicate in English at your audition.
The time shown on UCAS Conservatoires is your audition time. You should plan to arrive at the RCM at least 30 minutes before this, to allow time to check in and warm up. We advise allowing plenty of extra time for travelling into or across London.
If you are caught in an unavoidable delay, please telephone the Admissions team on +44 (0)20 7591 4362 immediately so that, wherever possible, alternative arrangements can be made.
When you arrive at the RCM, you should find out from the steward in the entrance hall where your audition will take place.
Keyboard auditions last approximately 20 minutes. Candidates will be directed by the panel to perform their audition pieces or particular extracts. We cannot say in advance which extracts you might be asked to perform, so you should prepare all of the materials in full. You will be required to take a sight-reading test and there will be a short interview. Typical questions asked may include:
In some cases you may also be asked to perform scales, arpeggios or other technical exercises.
Due to the volume of applicants, there is a two-phase process for piano and contemporary piano candidates auditioning in London during the main November–December audition period. The panel will inform you whether you need to perform again for a second panel. Candidates who are referred to the second panel should not assume they are definitely being offered a place. Similarly, if you are not referred, please do not assume you have been unsuccessful.
Second panel auditions take place on the same day, normally within an hour or two of the first audition, although you may have to wait a little longer if there is a high number of referrals.
Auditions for collaborative piano and organ consist of a single panel.
Pianists have 20 minutes of warm-up time. We are not able to provide practice rooms for you to use before this.
Organists have 45 minutes (undergraduate) or 60 minutes (postgraduate) of warm-up time and will be notified of their warm-up timeslot via UCAS Conservatoires. An RCM steward will be available to page turn and assist with registration for organists.
You do not need to tell us what you are performing in your audition and please do not send copies of the music in advance.
Due to high demand for audition slots at the RCM’s overseas venues, you must submit a pre-screening video audition as the first round of the assessment process. Videos must be submitted by the application deadline for your preferred audition venue. See our pre-screening guidance for advice on preparing your video submission and the link to the submission portal. Only shortlisted performers will be invited to the second live audition round.
The audition time shown on UCAS Conservatoires is your audition time. You should arrive at the venue around 30 minutes before this, to allow time to check in and warm up. The invitation will include arrival instructions.
When you arrive, follow directions to your warm-up room. You will have around 20 minutes of warm-up time before your audition. We are not able to provide practice rooms for you to use any earlier than this.
The RCM is unable to provide soloists for collaborative piano auditions at overseas venues, so please ensure you bring your own.
Organ auditions are not available at overseas venues.
Auditions at our overseas venues last approximately 20 minutes. The panel will ask you to perform your audition pieces. They many only ask to hear an extract from each work, but you should prepare the materials in full. You may be required to take a sight-reading test and in some cases you may also be asked to perform scales, arpeggios or other technical exercises.
The audition will finish with a short interview. Typical questions you may be asked include:
Applicants who cannot travel may submit a video audition instead. This option is open to all Principal Study specialisms, with the exception of Conducting, for which we will hold final round auditions live in London in Spring 2025. Candidates auditioning by video will automatically be considered for scholarship.
The deadline to submit applications for video auditions is 2 October 2024. Videos must be submitted by 28 October 2024.
Every student who applies for a place on one of the RCM's performance or composition courses commencing in 2026 will be considered for a scholarship, whether you have applied by video or attended an audition or interview in person.
There is no separate application process.
Eligibility for scholarships is based on merit, which is determined by performance at audition (or by submission of video) or the strength of portfolio and interview for composers.
If you are offered a scholarship or study award you will receive a letter, normally sent by email, confirming this and the conditions of your award.
In exceptional circumstances, an applicant may be offered a scholarship on the day of their audition.
You will be informed of the result of your audition as soon as possible. The RCM cannot enter into correspondence over the results of auditions.
Please double-check that you are available at the time and date of your audition. If there are any special circumstances the RCM needs to be aware of before your audition, please let us know in advance.
Find out more about applications and auditions
If you have any questions about auditions or the application process please contact our friendly Admissions team, who will be happy to help.
Royal College of Music
Prince Consort Road
London SW7 2BS
United Kingdom
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