Michael Durrant

Michael Durrant is a PhD Candidate in Performance Science at the Royal College of Music, his research focusing on the implementation of health promotion in the performing arts.

Michael's early career was dedicated to professional performance. Following studies with renowned maestros Carlos Bonell and Giulio Tampalini, he established himself as one of the world's leading classical guitarists, delivering performances that ranged from intimate solo recitals to large-scale concertos at some of the world's most prestigious venues, including Berlin's Philharmonie and Hamburg's Elbphilharmonie. Michael also completed several recording projects, a highlight being his first studio album at Abbey Road Studios, where he worked with flamenco guitarist Samuel Moore. Michael’s video recordings have garnered millions of views on YouTube and his solo arrangement of Joaquín Rodrigo's Concierto de Aranjuez is widely regarded as one of the most popular interpretations of the piece, showcasing Michael's technical expertise and emotive playing style.

During his performance career, Michael developed an interest in the psychology of performance and received a full scholarship to attend the RCM’s MSc Performance Science course, from which he graduated with distinction. He was subsequently granted a full scholarship for his doctoral research which involves collaboration with the British Association for Performing Arts Medicine (BAPAM), investigating how health promotion strategies can be more effectively implemented across the performing arts sector. This work aims to address critical issues in artist wellbeing and contribute to the development of sustainable practices within the field.

Alongside his doctoral studies, Michael coordinates several significant projects within the RCM’s Centre for Performance Science (CPS). These include Healthy Conservatoires, Health, Economic and Social Impact of the Arts (HEartS), and Music and Parental Wellbeing Research Network. Michael's unique combination of extensive practice-based experience as a professional musician and rigorous academic achievement positions him at the forefront of his field, enabling him to bridge the gap between performance practice and scientific research, and contributing valuable perspectives to the evolving landscape of performance science.

Faculties / departments: Research

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